The Best TV Shows of 2024 (So Far)

This list is updated monthly to highlight the standout titles of the year.

While it’s still early to predict the long-term effects of the 2023 Hollywood strikes, the immediate impact is evident: the television landscape is recovering from production delays. As networks and streaming platforms gradually release completed or international content, viewers find themselves in a quieter phase. Though fewer new shows are making waves, the quality remains high. As illustrated by early comedic hits like Girls5eva, there are still plenty of gems to discover in this transitional period. Below, you’ll find the most promising shows of 2024, organized by their season premiere dates.

Only Murders in the Building, Season Four (Hulu)

After a somewhat uneven Broadway-themed season, Only Murders is back on track. This time, our favorite trio—Charles (Steve Martin), Oliver (Martin Short), and Mabel (Selena Gomez)—embark on a fresh investigation involving the murder of Sazz Pataki (Jane Lynch). With a captivating blend of humor, warmth, and intrigue, the show reclaims its essence with sharper dialogue and a vibrant energy. The fourth season surpasses previous outings, delivering a delightful mix of cozy charm and thrilling mystery. —Nicholas Quah

Pachinko, Season Two (Apple TV+)

Continuing its epic narrative, Pachinko explores the impact of war, displacement, and poverty across generations. Based on Min Jin Lee’s novel, the second season delves into the resilience of its characters, including former lovers Sunja and Hansu (Minha Kim and Lee Minho), who navigate their turbulent pasts. This season’s bold storytelling—especially a striking black-and-white episode—asks profound questions about moving forward amid historical injustices, while the 1989 storyline adds layers to the critique of capitalism’s colonial echoes. Plus, the opening credits remain unmatched. —Roxana Hadadi

Bad Monkey (Apple TV+)

Bad Monkey, inspired by Carl Hiaasen’s novel, offers a fun escape into the Florida noir genre. Set in Key West, Miami, and a small Bahamian island, this series follows suspended cop Andrew Yancy (Vince Vaughn) as he investigates a suspicious death. With a soundtrack featuring Tom Petty covers and witty narration, Vaughn shines in this light-hearted yet engaging adaptation. Grab a drink, sit back, and enjoy this perfect summer binge. —Jen Chaney

Industry, Season Three (HBO Max)

Industry is a refreshing reminder of high-quality adult television. The show dives into the cutthroat world of finance with a provocative look at ethical investing and class dynamics. As it expands its narrative scope, new characters played by Kit Harington and Sarah Goldberg join the already compelling cast. If you haven’t caught on yet, now is the time to get invested in the lives of these ambitious young professionals. —Jackson McHenry

A Good Girl’s Guide to Murder (Netflix)

In this adaptation of Holly Jackson’s YA novel, the character Pip Fitz-Amobi (Emma Myers) embodies the classic teen detective archetype. However, the series offers a fresh perspective that captures the struggles of teenage life without veering into cliché. As Pip investigates a classmate’s murder, the narrative unfolds her personal challenges and budding romance with Ravi (Zain Iqbal). This series effectively explores themes of identity and societal issues while remaining engaging and relatable. —R.H.

Batman: Caped Crusader (Prime Video)

With the recent buzz around various Batman projects, Caped Crusader stands out by returning to the character’s roots. Created by Bruce Timm, this series embraces a neo-noir aesthetic, featuring familiar faces like Catwoman and Jim Gordon while weaving in rich storytelling. The character designs are distinctive, and the voice acting is top-notch, making for a captivating watch. The blend of melancholy and humor adds depth to this latest Gotham adventure. —R.H.

The Decameron (Netflix)

The Decameron reinterprets its 14th-century source material in a fun, anachronistic way. While the pacing could be tighter, the series effectively blends humor, social commentary, and drama as it explores class tensions amid the Black Plague. Focusing on the dynamics between nobles and servants in a beautiful countryside villa, this ensemble piece is bolstered by standout performances, making it a lively watch reminiscent of Miracle Workers and The Little Hours. —R.H.

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